Super Castlevania IV has always been a favorite SNES game of mine. I never owned it but I rented it as a kid. Even back then, I was instantly enchanted by the uniquely dark atmosphere of the game. I primarily attribute this to the soundtrack which is unlike any other SNES soundtrack. The various instrumentation: wind instruments, piano, orchestral strings, electric organ, horns, realistic and earthy bass sounds and percussion, all come together to make the side scrolling legend Castlevania come to be more imaginative than it is on screen and in game play. The soundtrack is what I always liked most about the game, though the presentation and game play are nothing short of classic Castlevania. Rondo of Blood is also lauded for its soundtrack and both are wonderful, but Super Castlevania IV’s music always leaves me in awe because of what it did with the SNES hardware.
Revisiting the game has been a treat. The intro sets a serious tone as a grave is struck by lightning and explodes, revealing a bat (presumably Dracula) who flaps around and flies away into a purple night. Then mist and a wailing siren eerily que the story text and you begin to think you’re going to play the best game ever. The first stage starts and the Theme of Simon plays, immediately an organ shouts a triumphant melody and you’re whipping the shit out of skeletons and doing the signature Belmont strut. Fuck yeah.
Stage 2 begins as Simon enters “The Forest of Monsters,” the music is still upbeat but the melody isn’t strong anymore, instead the song’s flow is in the bass line. Like Simon’s legs in the stage’s running stream, pushing you forward. It’s apparent now that you’re edging closer to the evil as new enemies and hazards appear. So you get the idea. Every stage and part of this game is so accentuated by the soundtrack. As a lover of game music I can’t help but adore this game for what it’s done in that department. I also enjoy the usage of some old Castlevania things. There are yellow zombies that when killed make a sound that is taken from Haunted Castle (the arcade Castlevania.) It’s the sound of your Grandpa
who smoked 2 packs of cigarettes a day for longer than he could hope for, croaking for thinking he could land a jump off of his Grandson’s swing-set while drunk as a kite. Then I liked seeing the spiders from Simon’s Quest that simply dangle down and shoot a smaller spider at you. Nostalgic little fuckers, they are. There were other continuities of course but those were my favorite.
I’d say the game is worthy of the “Super” in its title. All signs point to the fact that Konami wanted better hardware to explore the unique mood of Castlevania. The graphics are colorful and the use of scrolling and foreground/background is good. Some things are pretty, specifically the detail of the enemies and bosses. But some of the background textures look like puke. I honestly thought my game was glitching because of how garbled some of the textures are. This is really my only nitpick with the game. The graphics merely pass the test of time.
In this game you can fling your whip diagonally and dangle it and swing it around for less damage. Also you can control your jump fairly well. None of these things compromised the fun factor of the game play or made it less “Castlevania” for me. I was still getting knocked into pits and dying instantly from spikes, so that’s left in tact. Also you can crouch walk which has a purpose for a total of like 4 parts of the game. The game is pretty helpful with the locations of health items in the stages, so I didn’t have a lot of trouble getting through the game, only after about 6 continues. Struggling with certain spots briefly. This time playing, however, I realized that the game is harder on the 2nd run through. I gave it a run and it was a good change of difficulty. Not annoying, not unfair, just more enemies and enemies take more hits to kill. Because of this, certain sections require your strategy to be tweaked a little. Figuring out those new strategies was a joy. And I finished the game on my second continue. My favorite boss is the bat made of gold, whom when attacked, sprinkles gold that can damage you. Watch out for that bat gold!











Good Taste Grocery, as oppossed to Shitty Taste Grocery
make money. There are multiple Lucky Hit stands you can run, and their boards change each day. I’ve since became a Lucky Hit fan. If you’re wondering what Lucky Hit is, it’s basically like Plinko from The Price is Right. But it’s the badass, eastern version of it. It’s now fun to analyze the different board tine arrangements and even better, gamble on them.
ere you need to go, as Ryo automatically follows behind. I like this because while you follow you can just admire the scenery and familiarize yourself with the area a bit. It’s a great way to show off the game without having to deal with the sometimes tedious movement mechanic. The amount of detail is great, reflected right onto every faces wrinkle and tines on the Lucky Hit boards. I sometimes just look at the boards as I’m running around doing stuff. I look for new ones, check the stakes, possibly try them if they look interesting. I don’t even have to go to another screen to check the boards on the overworld. A “next-gen” moment if you will, of the gaming past.
cut-scene-only version. If I ever play the game again in the future, hopefully it will be a full voiced, legitimate version. It does have voice for Ryo’s monologue and special parts, but not for random NPC talk. It kind of sucks because the voice acting in the Shenmue games is, if not fair quality, hilariously executed otherwise. Who knows, maybe I’ll switch in the low quality voice version for the hell of it one of these days. Save files work inbetween the versions which is nice.